One can clearly see the details and efforts that went into this, implying his fondness towards nighttime projects. Glimmering stars dotting the powerful, intense blue night sky towering above a quaint and quiet little town. The main source of light is the white star in the bottom left, brighter than the other stars which was later identified to be the planet Venus and the golden crescent moon sitting majestically above all giving a feeling of coziness and intimacy. Blowing winds are painted with swirl strokes incorporating the whites of the wind into the Prussian, midnight blue of the night. Mountains are there but more blended in the background and surprisingly minute, giving the image that he wanted his sky to remain the more potent, valiant protagonist in the story he’s telling through colours. Yet someone like me can not help but notice only notice the tall cypress trees on the left next to Venus, a sign of death and extreme misery in European culture, the painting style identical to A Starry Night Over Rhone, an artwork created long before he “went insane” based on the view from his apartment, depicting his longing to be there in the familiarity and warmth of his own home. As Vincent once wrote to his brother, this was the view of his room in the asylum at night from the iron barred windows.
Van Gogh's last self portrait |
This is so well-written and really stirs the heart. I'm touched !
ReplyDeleteAww, thank you! Support from my readers always means a lot to me!
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